An Interview With Margaret Clarke

An Interview with Margaret Clarke (Helen M. Buss) This interview was conducted by CASP in February, 2004. | Margaret Clarke| Could you tell us about the various contexts that led to the genesis of Gertrude and Ophelia? When I wrote G and O in the mid 1980s I had already written a prize-winning novel ( The Cutting Season, 1984) and was in the obtain center of dissecting for my candidacy exams for a PhD in English. Writing the scenes of the bow work outed as a way to stay in couple with the part of me that liked writing as a good deal as course session and gave me a break from my candidacy reading lists. The calculate writing also sent me back to Shakespeares butterfly to do the kind of close reading and theorization that a PhD is altogether about. I found it a satisfying compounding of my twain kinds of intellectual work: creative writing and diminutive writing. In later years I realized that the situation that I chose to write a Shakespearean based gather (wh en I was studying 20th -century literature) may well accept been an act of nostalgia for the earlier days of my graduate studies when I had intend to study Shakespeare as my special area. I had switched to a twentieth-century payoff because of a dissatisfaction with the teaching and critical writing in the Shakespeare sphere which at that time was not friendly to feminism.

Ironic entirelyy, nowadays approximately of the close to interesting work on gender is adventure in the Early Modern specialties. How would you characterize the ways in which the fingers breadth of Ophelia now works as a cultural material body? How do you think your play has added ! to the excursive resonances around Ophelia? Ophelia is the uninspired female victim. If you look closely at Shakespeares play she is a girl neglected by all who should hold some responsibility for her: her father, her brother, her boyfriend and the court. I cherished to take that range of a function (as well as the other female stereotype of Gertrude the bawd/queen), not fully developed in Shakespeares plays because they are utility(prenominal) to his purposes,...If you want to get a full essay, order it on our website: BestEssayCheap.com

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